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Saturday, February 13, 2010

02/13/10 HOLLYWOOD EAST: A Greenwich Producer And A Screenwriter Bring "Blood Done Sign My Name” To The Big Screen

North Carolina as It Was, Split and Seething

New York Times

By GODFREY CHESHIRE

For Robert K. Steel, the re-evaluation of his placid recollections of the white-picket-fence world of Durham, N.C., accelerated in the summer of 2005 when he read Timothy B. Tyson’s “Blood Done Sign My Name.” That acclaimed book recounts how, in 1970, the author’s hometown, Oxford, N.C., erupted in racial turmoil after an all-white jury acquitted a white store owner and one of his sons of the murder of a young black man.

A former vice chairman of Goldman Sachs, Mr. Steel found Dr. Tyson’s work “fascinating and compelling,” he said in an interview in his office in Greenwich, Conn. Though he’d never had an itch for movie producing, he was so struck by the book’s cinematic potential that he urged it on a Greenwich acquaintance and fellow North Carolina native, Jeb Stuart, who has screenwriting credits on Hollywood action hits including “Die Hard” and “The Fugitive.” The result of their collaboration reaches theaters across the Southeast and in other major markets on Friday.
Mr. Stuart also found personal as well as cinematic reasons to connect with the material. Dr. Tyson, who was 11 in 1970, chronicles the struggles that his father, Vernon, a Methodist minister, faced in advocating civil rights progress to a conservative parish. (Vernon Tyson was effectively driven out of Oxford by the end of 1970.) Mr. Stuart’s father was a Presbyterian minister who faced similar trials in Gastonia, N.C.

When Mr. Steel and Mr. Stuart met with Dr. Tyson to discuss turning “Blood Done Sign My Name” into a movie, with Mr. Stuart as writer and director, the author was initially leery of turning over his work to a Hollywood filmmaker bearing the name of a Confederate general. (Mr. Stuart was nicknamed for, but not descended from, the rebel cavalry officer J. E. B. Stuart.) But the men soon discovered they agreed on what the movie should avoid.

“One of the goals was not to make ‘To Kill a Mockingbird,’ ” Mr. Stuart said in an interview at Mr. Steel’s Greenwich office.....
.....Dr. Tyson was happy to learn that he and Mr. Stuart both loathe movies like “Mississippi Burning” and “Ghosts of Mississippi,” in which conflicts between good and bad white people overshadow the actions of blacks.....
.....The sit-ins swept out of North Carolina and across the South in the spring of 1960, and there were practically no grown-ups in the United States who thought right away that it was a good idea, but the young people just did it anyway. Most Americans thought it was bad and crazy. In 1961 the Freedom Riders rolled through the region, criticized sharply by the Kennedy administration as well as the Southern politicians, denounced in emphatic terms by The New York Times, and three-quarters of Americans disapproved.....
....by 1970 much had not changed. In Oxford the movie theaters were still segregated. Downtown businesses sold to African-Americans but would hire them only as janitors. Public pools and recreation areas had been closed to keep them out. Thus, in May of that year, when a young black Vietnam veteran named Henry Marrow was beaten and killed on an Oxford street by three white men, an incident watched by several witnesses, the town was ready for an explosion. As the movie shows, the trial of two of the men was of intense concern to 22-year-old Ben Chavis (played by Nate Parker), a black Oxford native who had recently returned to teach high school after having become a civil rights organizer while in college in Charlotte, N.C.....
.....Dr. Chavis echoed remarks by Dr. Tyson in saying that he believes the struggles depicted in both the book and the movie are not particular to North Carolina or the region.

Malcolm X once said that the South is anything south of the Canadian border. On certain issues the whole country is the South.”....
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